Philadelphia Museum of Art
Label copy for "A propos of Marcel Duchamp" installation
- Date
- 1987
- Cotes extremes
- MDE_B026_F010_001
- Producteur
- Philadelphia Museum of Art
- Référencé
- Arensberg, Louise S. (Louise Stevens)
- Duchamp-Villon, Raymond
- Villon, Jacques
- Duchamp, Marcel
- Arensberg, Walter
Philadelphia Museum of Art
Label copy for "A propos of Marcel Duchamp" installation
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Label copy for "A propos of Marcel Duchamp" installation
- Lieu géographique
- Philadelphia, United States
- Type de document
- Écrits, Archives du musée
- Emplacement
- Philadelphia Museum of Art, Library & Archives
- Sources complémentaires
- Church at Blainville; Portrait of Marcel Lefrançois; Portrait of Suzanne Duchamp; For the Menu of Simone Delacour's First Communion Dinner; Portrait of the Artist's Father; Nude; Portrait of Dr. Dumouchel; The Chess Game; Paradise (Adam and Eve); The Bush; Baptism; Yvonne and Magdeleine Torn in Tatters; Sonata; Portrait (Dulcinea); Portrait of Chess Players; Eternal Siesta (Sieste Éternelle); Once More to This Star (Encore à cet astre); Nude Descending a Staircase (No. 1); Nude Descending a Staircase (No. 2); The King and Queen Traversed by Swift Nudes; The King and Queen Traversed by Swift Nudes at High Speed; The King and Queen Surrounded by Swift Nudes; Virgin (No. 1); Virgin (No. 2); Bride; Chocolate Grinder (No. 1); Boxing Match (Combat de Boxe); Cemetery of Uniforms and Liveries (No. 1); Bicycle Wheel; Draft Piston (Piston de courant d'air); To Have the Apprentice in the Sun (Cyclist); The Box of 1914; Original manuscript notes for The Box of 1914 with additional material; Chocolate Grinder (No. 2); Bottlerack; The; Glider Containing a Water Mill in Neighboring Metals; Fania (Profile); Rendezvous of Sunday, February 6, 1916 (Rendez-vous du Dimanche 6 Février 1916); Comb; With Hidden Noise; Nude Descending a Staircase (No. 3); Apolinère Enameled; The Blind Man (No.1); The Blind Man (No.2); Rongwrong (No. 1); Recipe (Recette); Farewell to Florine (Adieu à Florine); 50 cc of Paris Air; Oculist Witnesses (Témoins Oculistes); Why Not Sneeze, Rose Sélavy?; The Bride Stripped Bare by Her Bachelors, Even (The Large Glass); Sketch for Precision Optics (Croquis pour Optique de Précision); Opposition and Sister Squares are Reconciled by M. Duchamp & V. Halberstadt (L'Opposition et les cases conjuguées sont réconciliées par M. Duchamp & V. Halberstadt); Opposition and Sister Squares are Reconciled by M. Duchamp & V. Halberstadt (L'Opposition et les cases conjuguées sont réconciliées par M. Duchamp & V. Halberstadt); The Bride Stripped Bare by Her Bachelors, Even (The Green Box); Rotoreliefs (Optical Disks); Bookbinding for Ubu Roi, by Alfred Jarry; Box in a Valise (Boîte-en-Valise); First Papers of Surrealism; Pocket Chess Set; VVV Portfolio (New York: VVV, 1942); View (series V., no. 1); Cover of Young Cherry Trees Secured Against Hares; Cover design for Le Surréalisme en 1947; Le Surréalisme en 1947, catalogue of the Exposition Internationale du Surréalisme, Galerie Maeght, Paris, July - August 1947, with Please Touch (Prière de Toucher); Feuille de vigne femelle (Female Fig Leaf); Objet-dard (Dart-object); Moonlight on the Bay at Basswood; Dada: 1916-1923, Sidney Janis Gallery, New York, April 15 to May 9, 1953; Dada: 1916-1923, Sidney Janis Gallery, New York, April 15 to May 9, 1953; Quatre inédits de Marcel Duchamp; Dressed to the Nines (Tiré à quatre épingles); Sketch for Anagramme, for Pierre de Massot; Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage . . . (Given: 1. The Waterfall, 2. The Illuminating Gas . . . ); Manual of Instructions for the assembly of Étant donnés: 1° la chute d'eau, 2° le gaz d'éclairage; In the Infinitive (À l'infinitif) (The White Box); The Large Glass and Related Works with Nine Etchings by Marcel Duchamp on the Theme of The Lovers, Volume 2 (Milan: Galleria Schwarz, 1968)
CRÉDITS PHOTOGRAPHIQUES ET DROITS
- Conditions d'accès
- This item is accessible onsite at the Philadelphia Museum of Art. Please contact archives@philamuseum.org to make an appointment.
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